Sudhir
Venkatesh
Allen Lane,
2013
pp.278.
Sudhir Venkatesh shot to fame with his book “Gang Leader for a Day” and
also with his contributions to the chapters in Freakonomics where he analysed the
behavior of drug peddlers and sex workers. “Gang Leader” was a departure from
the usual works of sociology - it departed from known frameworks of social
structures and frames, towards a participative ethnographic work. It was ground
breaking in many ways: because of the methods; the ethical dilemma that these
methods threw and the subject itself which looked deeply into the underground
drug economy of Chicago. This work was a result of a much younger Sudhir, not
trapped by fame of a relatively unknown student trying to get going on his
doctoral thesis.
So when Sudhir came with his next book – looking at a different trade
and a different city, he had already set the benchmark of “Gang Leader” and the
expectations were that he would transcend his past pinnacle. However, Floating
City disappoints – it is neither rich in its content nor in its insights;
leaving us to wonder whether he was a one project wonder. We hope not.
The book has its contributions. However, these pale against the
expectations based on his past work. The most significant insight we get is
that the underground economy is not restricted to the poor, but has a seamless
connection with the wealthy and the sophisticated. There are unusual suspects.
In addition we find strivers trying to move from a street-side segment of the
underground economy to the more sophisticated segments.
Readers’ dissonance about Floating City may be because of the
un-organised nature of the trade that studies. Unlike drug peddlers of Chicago,
who seem to be in a well-knit hierarchy – much like a corporate empire and
living in close proximity (of the erstwhile Robert Taylor Homes), his subjects
in New York come from smaller networks, and diverse residential settlements. In
“Gang Leader” he discovers the relations between different players after understanding
the network. Unfortunately Sudhir is lost in New York. Lost because, he is
using the inter-relations between the different sets of people he talks to, to
map the network. That is always much tougher.
Also unlike the carefree Sudhir of Gang Leader, here is a tenured
Columbia University Professor who needs to worry about his reputation. In the
earlier book, he shows the pressure to wind up his study only towards the end
of the book. Now he is no longer the rogue sociologist and very much a part of
the establishment. He has requirements to teach and publish – irrespective of
whether he agrees with the type and nature of publications that are
academically recognized and rewarded. It is evident through the book that a lot
of his own personal problems of tenure, his divorce and the professional
insecurities come in the way of the narration. He is no longer an outside
analyst – or a fly on the wall – who is looking at the situation unfold, but by
his own choice, an active participant in the deliberations.
Possibly the problem with the book lies in Sudhir’s inability to draw a
line between the sociological elements that he needs to study as an outsider
and the autobiographical elements that come in as a counter point. He could
have chosen to write the book with a greater element of autobiography. But it
would have taken a different shape. A good example of that is Aman Sethi’s “A
Free Man”. Sethi goes in as a journalist, and while understanding the poor
footpath dwellers of Delhi also narrates what it means to him. Sudhir is
hamstrung with this image of being an academic. So he unfortunately keeps
getting in his scholarly dilemmas into the narrative, never allowing the reader
to even forget for a moment that he is ultimately a sociologist and this project
is an academic work.
Studies such as this one are complex and cannot have a framework or a
premeditated script. It is almost like writing a script for a documentary – you
can only plan the subject, how you would conduct interviews, whom you would
meet. Nobody can actually write the dialogues in advance or have a clear
expectation of what emerges out the filming. When one does not have a clear
frame the danger is in wonderment - like a child in a toyshop. If every person Sudhir
meets is adding to the n (sample size) then there is a problem. Sudhir
unfortunately is a victim of his success, his image constructed in our minds, and
unfortunately, his image constructed in his own mind. This could have been a
fascinating book if only he had shed his past. It could have been as
fascinating if he had teamed up with somebody younger and unknown who could
penetrate deeper into the underground economy. Unfortunately this turns out to
be an attempt to live up to the past image and the halo created around himself.
And that he does not live up to that image leads to a book like Floating City,
which is a disappointment.
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